9A in Fontainebleau by Albert
Guiliano Camaroni and Charles Albert (the barefoot climber) in Fontainebleau, France. Giuliano goes on a tear through the forest during a week of excellent conditions.
Charles monkeys around some old and new classics in the forest waiting for a chance on his potential 9a project (min 6:35)
"Atomic Playboy" by Bertone
On a suivi Oriane Bertone le jour où elle a sorti Atomic Playboy, une longue traversée cotée 8A+ à Fontainebleau. Une belle rampe assez exigeante qui demande de faire parler le gainage et les doigts ! Elle a pu mettre à profit les bonnes condis de la fin du mois d’octobre, même si la jeune réunionnaise n’est pas encore habituée à grimper dans le froid !
Oriane Bertone sort Atomic Playboy (8A+) à Fontainebleau | Relais Vertical, Ep.89
Wear and tear in the bouldering Mecca
The last three weeks here in Fontainebleau haven’t been only golden moments, good climbing and pain au chocolat. For the first time I really felt that some reflections about the future of bouldering and the current state of the holds should be needed.
I have been in the climbing scene since 14 years now, and almost 10 in the rock climbing world. I also grew up in a gym like wide part of the new generation of kids does nowadays. I must admit I haven’t been always perfect, pure and 100 % ethically clean in what I have climbed so far. I made several mistakes during the past and, still now, I am often learning new shades about this topic, trying to go deeper and deeper into the knowledge of the good approach that a rock climber needs. Hard to admit, but learning the unwritten laws of bouldering might take a while. Ethics and respect are probably values you acquire during a relatively long path. The learning process happens if you are flexible to catch small details and if you are lucky enough to meet the few climbers who still put passion and respect into the outdoor bouldering.
All of this is hard to match by these days, especially considering that even the most media climbers aren’t often the most clean. In fact, most of the celebrities can’t be taken as examples under this side. 10 years ago we were definitively living in a different community, and I felt blessed to have know the last wave of this way of living bouldering. It was somehow harder and less comfortable, but definitively richer with dreams, magic and real values.
Rocks aren’t stationary as we imagine. They changed from the smallest details to the biggest chunk. Our short lives hide us the truth that the game we are playing is just a matter of time. Everything we climb was dust and it will return to dust in the future. This is the nature we belong to.
But, dramatically, even in a shorter period of time, boulders can be altered. And certainly not only for natural reasons.
Having put up a decent numbers of lines, I could note how the holds change during the flow of the seasons and how the holds can alter ascent after ascent. Even if it deals of micro details, it’s rare that we can repeat the problem in the exact and same state as the first ascentionist did. There are plenty of examples around, especially on soft kinds of rock like sandstone or limestone. Boulders change for natural reasons in long terms of time and for human being impact in a shorter period of time. We can definitively manage our use, limiting the ruin of the rock. So, we are somehow responsible of all of this deterioration process.
And seeing how bouldering is getting more and more popular by these days, the state of the rock will probably depend more and more on our behavior as the years roll on. We are responsible of the heritage we have and protecting all of this should be our first priority. It should, because apparently it is not what we are actually doing.
I walked through many areas this time here in Font and it was, in some sort of ways, sad and ridiculous to note how some holds currently are. If you would take few steps into the Forest, you can count endless doses of tickmarks left and, most impressive, touching some holds which are not the same anymore. Few times ago climbers who haven’t any ethic didn’t brush the boulders at the end before leaving. Now it seems that they don’t even use a brush for their whole session, complaining about the conditions when they should only need to clean and take care a bit more. Slopers, crimps and jugs are surrounded and covered by a chalky layer which is pretty heinous to remove and it’s getting more and more into a permanent state. And this is going to change completely the nature of the texture.
This is probably due to the quantity of people which is getting into the climbing world, and, more important, to the very low qualities values that these people are bringing into the outdoor world. Hard to say where the source of the issue is and even harder to imagine a possible solution to stop the loop and restart from the beginning. It seems that the baton of the old Bleausards generations has been somehow lost for unknown reasons.
Bouldering is becoming like business. Business that deals with personal egos, glory and certainty not money for most cases.. I am pretty sure some climbers don’t even like climbing anymore.
Having patience, failing, falling, learning, improving, experiencing, respecting, being humble is all now replaced with illusionary good performances, quick sending time and loads of insta likes. It might be only an opinion of few, but we are getting into a valueless climbing world.
Almost nobody still cares about the only and simple rule we should follow which is the one to impact as less as possible while we do bouldering. We are lucky to practice an activity that only counts an handful of unwritten rules; we are free and nobody catches us with a red card if we get wrong. We just need to preserve our heritage in order to continue to enjoy our level of freedom and to respect all the other climbers who want to enjoy rock with passion, sacrifices and efforts.
Every of us owns a brush. Use it. Carefully. For your performances, but even more to limited the ruin of the rock we all love.
1. "Deforestation" in Rocher Du Cassepot
2. Tickmark for a foothold on "Digitale" in Bas Cuvier
The Anatomy of Bouldering - (2)
Part 2: Conditions
Climber: Santiago Lena de Terry
Filmed in Fontainebleau, France
“Techno Drum Loop”
The Anatomy of Bouldering - (1)
"The brain is the most important muscle for climbing" - Wolfgang Güllich
What is the Anatomy of Bouldering? Join us and find out in our three part Mini-Series "The Anatomy of Bouldering".
#TAOB #bleau #scarpaclimbing #frischluft #frischundluftig
Scarpa Spa | Moon Climbing | Bloc House Graz
Melissa Le Nevé in "Mecanique elementaire" 8b+
Source: Melissa Le Neve on FB
Picture: Fabi Buhl
Swoop !! today I could send my hardest climb on the paper but mostly my hardest challenge in terms of reachy moves and mental side ! After falling a while on the very last move I finally could stand on the top of "mecanique elementaire" 8b+. Super happy, thanks for the spot @nalle_hukkataival and nice send of "jour de chasse" on this warm day !
Kevin Lopata in "Mécanique Élémentaire"
The hardest circuit in Fontainebleau
Photo: Kevin Smith
The black ED+ circuit in Cuisinière is the hardest circuit in Fontainebleau and despite being decades old, word has it it's never been climbed in a day. The fact alone that the very last boulder on the circuit is the infamous slab Duel (8A) has kept it an exclusive challenge.
I found the circuit to be a real test of climbing skill - being strong will only get you so far. The boulders range between every style testing technique above all. Crimps, slopers, slabs, aretes, dynos, highballs, mantles - you have it all. Mental strength is needed on the highballs. The point is that in order to make it through the entire circuit you need to climb well and efficiently.
After a couple of days locating and sussing out the boulders and brushing some of the less popular ones from underneath the moss, I gave it a shot. At 5 hours 8 minutes I got to the top of the last boulder with no skin to spare, already bleeding on the last attempt! Feels great to complete something that I remember seeing in the guidebook and laughing at because it seemed so ridiculously hard. To top it off I nearly had the 'perfect game' falling just one time on Duel.
Must have learned a thing or two over the years!
Stay tuned for a video capturing the whole circuit!
Re-climbing some old classics here in Font! I've been getting psyched on the idea of trying to do the unclimbed black circuit in Cuisinierè. Duel (8A) the infamous slab took me years to figure out in typical Font style and now having learned the method it's hard to understand why. Duel is the very last boulder on the circuit so need to get it wired!
Hier ist ein Facebook-Video zu finden.